![]() ![]() ![]() The encoding process is also very quick, and can be done in a single pass-something that is very important in the area of content creation and mastering. The decoder is then able to use both to recreate an audio stream that is bit-for-bit identical to the original (i.e. Technically speaking, DTS-HD Master Audio carries within its file, two data streams: the original DTS “core” stream and another stream that contains the “residual” data that is made up of what’s left from the original signal and the lossy compressed stream. It turns out the format was an impressive jump over prior iterations of DTS and was light-years ahead in how it could communicate and transmit the required 7.1 sound for Blu-ray.ĭTS (the company) set out to make DTS-HD Master Audio the audible equivalent of listening to the master recordings. DTS-HD Master Audio is a “lossless” audio format-using a variable bit-rate technology to deliver high-quality audio while keeping file sizes small and conserving bandwidth. DTS-HD Master Audio (formerly known as DTS++) became the new defacto-standard for the premium level of on-disc HD audio. When Blu-ray hit the scene and snuffed out (outspent, really) HD-DVD in the mini format war, a new audio CODEC was needed to handle the many ways in which audio would need to be delivered in the high-definition era. ![]()
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